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Don’t see the image you want in the below list? Just drop me a line over the contact page - I can make any of my images available for print! I can also make them custom sized to suit your needs.
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For the duration of my exhibition in the Scandinavian Photo store in Malmö, I offer a discount on this book! The price of shipping in Sweden (applied with the same sum - SEK 70 - to all orders, also going outside Sweden) is deducted automatically upon checkout!
Travel. The thought of it fills you with excitement, you go somewhere with someone, experience things. But there is another kind of travel. With this body of work, I set out to illustrate the monotony and loneliness of commuting in strong juxtaposition to the joy normally associated with travel. The images in the book are centered around the places where so many pass by but almost nobody meets.
Hardcover with dust jacket, approx. 25×22 cm in landscape format, 112 pages with 59 images.
Bundle it with a Limited Edition print for a complete experience at a discounted price!
When you are moored to a cliff, as is common in the Swedish archipelago, you sometimes have the benefit of amazing sunsets. Other times, the wind comes from the west in the evening, and since you always seek to moor with your bow against a windward cliff, you instead have to settle for the colours on display to the east, as the earth casts its shadow on the sky and lingering rays of sun light up some clouds. This is what happened this evening - the sun had just set, I was half running around securing the boat’s mooring lines, half enjoying the show. And half trying to compose a photograph at the same time.. I think I might have had some success in this case, because this image stops people in their tracks as they walk past my displays. I have had calmer evenings in the cockpit of my boat, but every once in a while it is worth sacrificing that calm to instead try to capture that emotion.
Printed on Hahnemühle PhotoRag© Bright White, on Epson SC-P900
Custom sizes available upon request.
I am unable to fully express what it is about an old moldy rope and an even older mossy bridge that captures one’s emotions. But they do. Ageing things have character, there is history in them. Even an old rope, tied thousands of times with a questionable knot to secure a boat. And the old wooden pontoon - how many fishermen have walked on it an hour before sunrise to load their nets and head out from the safety of the harbour wave breakers to make that day’s living? The moss tells us that that time has passed. People don’t walk here on a daily basis anymore, or the moss would be worn off. Now the pontoon is neglected, as is the rope. They bear witness to a bygone era. Perhaps this is what captures us?
Printed on Hahnemühle PhotoRag© Bright White, on Epson SC-P900.
Custom sizes available upon request.
This is one of those images where the question is not what to include, but what to exclude. Granted, that is generally the more important question in photography. The contrast between the strong, static object to its fluid, ever-changing surrounding is one often captured in minimalist photography. But where do those lines come from? They allude to something - some unknown object relying on the steadfastness of the old, worn lump of wood in that same ever-changing environment.
Printed on Hahnemühle PhotoRag© Bright White, on Epson SC-P900.
Custom sizes available upon request.
When the sun is setting and there is a cloud front moving overhead, you feel lucky to be alive to witness it. I had to balance just experiencing this moment, with capturing it with my camera. I felt the rarity of the occasion - it makes it worth capturing, but not at the expense of the actual experience, something I try to remind myself in my photography. Images are all well and good, but experiences are what makes up a lifetime. Perhaps that’s a poor sales strategy to put in the description, but hopefully I managed to convey some of the emotions of the moment with this image. I received an Honourable Mention award for it in the 2023 edition of the Swedish Photography Championship.
Printed on Hahnemühle PhotoRag© Bright White, on Epson SC-P900.
This image is sold as a limited edition, with 25 pieces in the size 13×19cm, 15 pieces in 18×28cm, and 10 pieces in 28×38cm. Please see the information on the store front page for further information.
I was standing on my boat considering how to best capture the exploding colours of the sunset that were painting the sky before my eyes, when I turned around to reach for my camera and saw how a small section of trees on the island I was anchored next to were literally looking on fire. Knowing how quickly those things change, I was quick to not miss the opportunity. The light was somehow concentrated on this little group of trees and the cliff in front of them, while the surrounding foliage was dark green. Sometimes nature just does all the work for you.
Printed on Hahnemühle PhotoRag© Bright White, with an Epson SC-P900 photo printer.
Custom sizes available upon request.
This image, alongside the image “Stockholm City Hall ICM” made me a finalist in the Landscape category of the 2023 edition of the Swedish Photography Championship. While my friends were busy skiing, I traversed the top of a mountain in the thickest fog I had ever experienced, which created a dream-like landscape. This cluster of trees were a prominent feature in the otherwise barren, snow-covered landscape, and the fog removed any distractions, even removing the border between land and air.
This image is sold as a limited edition, with 15 pieces in 18×28cm, and 10 pieces in 28×38cm. Please see the information on the store front page for further information.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks to the highest archival standards (Giclée).
This image, alongside my image “Cluster of Trees”, made me a finalist in the Fine Art category of the 2023 edition of the Swedish Photography Championship. Possibly the most depicted scene in Stockholm, but with a different take - using ICM to create a painterly effect. I had experimented with the technique at this location a few days prior, and when driving past I spotted the setting sun and saw an opportunity for an amazing result. The sunset did not disappoint.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks.
Custom sizes available upon request.
I was driving on the highway as I glanced in my rear view mirror, and the three windmills towering over the landscape instantly caught my eye. I pulled off the next exit to look at the map if there was a way I could reach a decent spot to photograph them. I couldn’t believe my luck when I found a bridge that should provide a perfect viewpoint - I didn’t even dare hope it was a public road. But I set my gps to bring me to it, and sometimes things just work out. It was a perfect vantage point, with the highway snaking its way into the landscape and those three windmills turned towards me. I stood there and watched them for a while, and noticed that every so often the wings formed this geometric pattern. So I set up, waited for the next time that happened, and captured this image.
This image has a higher level of editing than I usually like to do. I focused on the windmills, so the traffic had to be what it was. Therefore, some cars, as well as two road signs, have been removed. I was looking to create a contrast between the heavy diesel truck and the renewable energy of the windmills. The imposing windmills make me think of a War of the Worlds imagery; perhaps a fitting commentary. The final image earned a Merit award in the 2024 Swedish Photography Championship Fine Art category.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks to the highest archival standards (Giclée).
This print is offered as a limited edition: 25 pieces in the size 13×13cm, 15 pieces in the size 19×19cm, and 10 pieces in 29×29cm
This image is one of the stars of the show in my book Stations, if you ask me. The interplay both with colour and contrast is something I can just stare at for hours. The lines that draw you in add additional drama together with that contrast, and it feels like you are sucked into the world where this mysterious silhouette is dwelling. I had to actually revisit this scene to get the result that I really wanted. I first captured a couple walking in the light, but realised that wouldn’t work with the narrative in the book. So I revisited it, and waited longer than security likely was comfortable with, in order to nail the character that seemingly tries to escape the image.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks to the highest archival standards (Giclée).
This print is offered as a limited edition: 25 pieces in the size 13×19cm with a passepartout to fit an A4 frame, and 15 pieces in the size 18×28cm with a passepartout to fit a 30×40cm frame .
There’s something about a view to the sea. It feels like opportunities are endless, you can go wherever you want without limitations. Mountains are beautiful in another way, their majestic towering figure imposing themselves on their surroundings. But as someone who grew up near a beach, they have always felt a little like obstacles to me. As opposed to where the horizon meets the water and it is hard to tell where the limit to either is. The two little islands in the distance are just enough to entice an urge to go visit, explore. Maybe this is what the early seafarers felt, and then taking it to the next level going beyond the horizon without knowing that there would be an end at all. While I might not have had the guts to throw myself into the unknown at that level, an image like this at least lets me feel that urge they must have felt. Within reason..
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks to the highest archival standards (Giclée).
This image is sold as a Limited Edition print, with 25 pieces in 13×40cm, 15 pieces in 29×89cm and 10 pieces in 40×120cm.
An image of the iconic lighthouse Landsort on the island of Öja, which represents the southern gateway to the Stockholm archipelago, seen from the sea. I captured this image on my way south with my sail boat, on a foggy morning with just enough wind to bring me forward in a quiet, eerie, almost sneaky way.
The subtle colours in the sky come to their own when printing this image, really conveying the mood of the morning. The scene is why nature created panoramas - the lone, tall building standing to guide sailors safely in from the vastness of the sea through treacherous rocks and cliffs.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks.
Custom sizes available upon request.
There is a segment of beach near where I grew up. One evening I happened to stop by there to spend the night camping, and I had my camera with me as the sunset really turned into something special. Sunsets can be magnificent and epic, but this one was subdued, almost quiet. There was a slight veil of cloud cover that diffused the light just the right amount. I experimented with the low contrast light and the pastel colours, having in mind an image that would feel serene. Because that’s how it felt being there.
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks to the highest archival standards (Giclée).
This image is sold as a Limited Edition print, with 25 pieces in 13×40cm, 15 pieces in 29×89cm and 10 pieces in 40×120cm.
This is an image of the pier in Åhus, Sweden, on a rare occasion where no people were out to enjoy it. The swooping lines seem to drag you with them into the vastness of eternity, this feeling than only the empty horizon of the sea can give you, It took some painstaking attention to detail to achieve the symmetry of the image, so I felt it was worth naming it accordingly.
It is captured on Ilford HP5+ film, with a Chroma six17 camera and a 150mm FujinonW large format lens..
Printed on Hahnemühle PhotoRag® Bright White with Epson SC-P900 and Epson original inks.
Custom sizes available upon request.
About the Prints
Limited Editions: All prints are original prints, signed by me. Some of the prints are sold in Limited Editions. This means that when the number of pieces in the edition have been printed and sold, the image will never be produced again under any circumstances. My Limited Editions come in various sizes, and each size has an individual edition run; for example an image can be produced as a 13×18cm in 25 pieces, 18×28cm in 15 pieces, and 28×38 in 10 pieces. Details on stock and sizes are outlined for the respective image. In addition, there will be two Artist’s Proofs made for my personal archives. Limited Editions cannot be ordered in custom sizes - the edition runs are fixed, and if you buy one you can rest assured that no other print outside of the edition run will ever exist.
IMPORTANT: While pigment prints like these are extremely durable in terms of colour retention and resistance to paper yellowing - the print when properly stored will last generations - they are also very sensitive to scratching. Therefore they must be framed behind a protective barrier, such as glass or acrylic. My preferred method is anti-reflexive glass to ensure the image is not obscured by light reflections (though this increases the cost by a noticeable amount).
Print Quality and Paper: The prints are all archival pigment prints on high-end fine art paper - also known as giclée prints. For specifics on which paper and ink, check each item: each image has a colour palate that certain papers enhance and others detract from. The size refers to the printed image size without a white border, which all prints include (your framer will need the white border to make his/her life easier!).
Shipping Information
When you order a print, I will endeavour to package it rock solid. Panoramas will be rolled up and safely placed in a packaging tube, while other formats will be sandwiched between heavy-duty cardboard, with ample margins to protect the corners. The prints will also include a white border - this is both to protect the actual image from any damage, but also so a framer can easily fit the image into a frame of your choice.
Prints in more common formats (e.g. 4×5 or 3×2 ratios) will include a passepartout in a standard size in order for you to easily fit the print in a frame of your choice. I do recommend having a framer make a dedicated frame, preferably with anti-reflective glass, but recognising that this will sometimes cost more than the print itself, I believe it is more important to get the image up on the wall for you to enjoy than labour over how it is done. I would offer passepartouts for panoramas as well, but there are not really any standardised frame sizes and it would make for an unwieldy package.
Should the worst happen and something goes wrong in the shipping process, contact me and we will figure something out!